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Die Bibel erwähnt die vier apokalyptischen Reiter im 6. Kapitel der Offenbarung des Johannes als Boten der nahenden Apokalypse, des Jüngsten Gerichts, eines der vier letzten Dinge. Die Bibel erwähnt die vier apokalyptischen Reiter im 6. Kapitel der Offenbarung des Johannes als Boten der nahenden Apokalypse, des Jüngsten Gerichts, eines der vier letzten Dinge. In einer Vision des himmlischen Thronsaals (Offb 4–​5 EU) wird Johannes ein Commons: Four Horsemen of the Apocalypse – Sammlung von Bildern. Four Horsemen steht für: Four Horsemen (Cocktail), ein Drink aus vier Whiskies; Four Horsemen (Wrestling), eine populäre Gruppierung im Wrestling von Beschreibung: Four Horsemen T-Shirt. Tod, Krieg, Pestilenz und Hunger - man muss kein Fan von Albrecht Dürer sein, um dieses unheilige Quartett zu erkennen. While poetry was generally perceived as being mainly in the form of the printed word, the Four Horsemen saw sound, breath and the human body as well as the​.

4 Horsemen

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Submit Feedback. Thank you for your feedback. The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree See Article History.

Learn More in these related Britannica articles:. Christianity , major religion stemming from the life, teachings, and death of Jesus of Nazareth the Christ, or the Anointed One of God in the 1st century ce.

It has a constituency of…. Ele, eventualmente, levou Debra de Mongo. Curt Hennig tomou o seu lugar. Flair dissolveu o grupo em 29 de setembro de James J.

Eles rivalizaram com a nWo e Eric Bischoff. Mongo deixou a luta profissional, e o grupo passou a ser apenas Flair, Arn, Malenko e Benoit.

Eles, principalmente, rivalizaram com Hulk Hogan e Sting. Anderson e Alex Anthony, com Rob Dimension como manager.

O grupo lentamente morreu entre agosto de e outubro de Ao retornar, Triple H atacou Flair com uma marreta, encerrando o grupo. Triple H, Orton e Batista reuniram o grupo, sem Flair, em 14 de abril de , para uma rivalidade com a Shield.

No Raw de 28 de abril, Flair apoiou a Shield na rivalidade. Flair havia sido vagamente associado com A.

James Storm e Robert Roode e Kazarian desde 5 de abril de , e anunciou que quem desejasse de unir ao grupo Fortune inicialmente escrito Fourtune deveria ganhar sua vaga.

Flair deixaria a Fortune e continuaria associado ao Immortal. Ver artigo principal: Evolution luta profissional.

Ric Flair: To Be the Man. Pro Wrestling Torch. Based on the above passage, a common translation into English is the rider of the White Horse sometimes referred to as the White Rider.

Irenaeus , an influential Christian theologian of the 2nd century, was among the first to interpret this Horseman as Christ himself, his white horse representing the successful spread of the gospel.

Furthermore, earlier in the New Testament, the Book of Mark indicates that the advance of the gospel may indeed precede and foretell the apocalypse.

Besides Christ, the Horseman could represent the Holy Spirit. The appearance of the Lion in Revelation 5 shows the triumphant arrival of Jesus in Heaven, and the first Horseman could represent the sending of the Holy Spirit by Jesus and the advance of the gospel of Jesus Christ.

While for nearly nineteen centuries Christians had thought that the first horseman was a positive figure representing either Christ or the Gospel, a completely different interpretation of this character emerged in [11] when C.

Wimpel defended the first hypothesis that he was the Antichrist and more precisely according to him Napoleon Bonaparte.

Franklin in [13] and W. Stevens in [14] and was then very successful in evangelical circles until today, for example with Pastor Billy Graham , for whom it was the Antichrist or false prophets in general.

According to Edward Bishop Elliott 's interpretation, that the Four Horsemen represent a prophecy of the subsequent history of the Roman Empire, the white color of this horse signifies triumph, prosperity and health in the political Roman body.

For the next 80 or 90 years succeeding the banishment of the apostle John to Patmos covering the successive reigns of the emperors Nerva , Trajan , Hadrian and the two Antonines Antoninus Pius and Marcus Aurelius , a golden age of prosperity, union, civil liberty and good government unstained with civil blood unfolded.

The agents of this prosperity personified by the rider of the white horse are these five emperors wearing crowns that reigned with absolute authority and power under the guidance of virtue and wisdom, the armies being restrained by their firm and gentle hands.

This interpretation points out that the bow was preeminently a weapon of the inhabitants of the island of Crete and not of the Roman Empire in general.

The Cretans were renowned for their archery skills. The significance of the rider of the white horse holding a bow indicates the place of origin of the line of emperors ruling during this time.

This group of emperors can be classed together under one and the same head and family whose origins were from Crete.

According to this interpretation, this period in Roman history, remarkable, both at its commencement and at its close, illustrated the glory of the empire where its limits were extended, though not without occasional wars, which were always uniformly triumphant and successful on the frontiers.

The triumphs of the Emperor Trajan, a Roman Alexander, added to the empire Dacia , Armenia , Mesopotamia and other provinces during the course of the first 20 years of the period, which deepened the impression on the minds of the barbarians of the invincibility of the Roman Empire.

Roman war progressed triumphantly into the invader's own territory, and the Parthian war was successfully ended by the total overthrow of those people.

Roman conquest is demonstrated even in the most mighty of these wars, the Marcomannic succession of victories under the second Antonine unleashed on the German barbarians, driven into their forests and reduced to Roman submission.

In some commentaries to Bibles, the white Horseman is said to symbolize ordinary War, which may possibly be exercised on righteous grounds in decent manner, hence the white color, but still is devastating.

The red Horseman see below then rather more specifically symbolizes civil war. Under another interpretation, the first Horseman is called Pestilence , and is associated with infectious disease and plague.

It appears at least as early as , when it is mentioned in the Jewish Encyclopedia. The origin of this interpretation is unclear.

Some translations of the Bible mention " plague " e. However, it is a matter of debate as to whether this passage refers to the first rider, or to the four riders as a whole.

While his horse continued galloping, he was bending his bow in order to spread pestilence abroad. At his back swung the brass quiver filled with poisoned arrows, containing the germs of all diseases.

When He broke the second seal, I heard the second living creature saying, "Come. The rider of the second horse is often taken to represent War [2] he is often pictured holding a sword upwards as though ready for battle [21] or mass slaughter.

In military symbolism, swords held upward, especially crossed swords held upward, signify war and entering into battle.

The second Horseman may represent civil war as opposed to the war of conquest that the first Horseman is sometimes said to bring.

According to Edward Bishop Elliott's interpretation of the Four Horsemen as symbolic prophecy of the history of the Roman Empire, the second seal is opened and the Roman nation that experienced joy, prosperity and triumph is made subject to the red horse which depicts war and bloodshed—civil war.

Peace left the Roman Earth resulting in the killing of one another as insurrection crept into and permeated the Empire beginning shortly into the reign of the Emperor Commodus.

Elliott points out that Commodus , who had nothing to wish and everything to enjoy, that beloved son of Marcus Aurelius who ascended the throne with neither competitor to remove nor enemies to punish, became the slave of his attendants who gradually corrupted his mind.

His cruelty degenerated into habit and became the ruling passion of his soul. Elliott further recites that, after the death of Commodus, a most turbulent period lasting 92 years unfolded during which time 32 emperors and 27 pretenders to the Empire hurled each other from the throne by incessant civil warfare.

The sword was a natural, universal badge among the Romans, of the military profession. The apocalyptic figure indicated by the great sword indicated an undue authority and unnatural use of it.

Military men in power, whose vocation was war and weapon the sword, rose by it and also fell. The unrestrained military, no longer subject to the Senate, transformed the Empire into a system of pure military despotism.

When He broke the third seal, I heard the third living creature saying, "Come. And I heard something like a voice in the center of the four living creatures saying, "A quart of wheat for a denarius, and three quarts of barley for a denarius; but do not damage the oil and the wine.

Of the Four Horsemen, the black horse and its rider are the only ones whose appearance is accompanied by a vocal pronunciation.

John hears a voice, unidentified but coming from among the four living creatures , that speaks of the prices of wheat and barley, also saying "and see thou hurt not the oil and the wine ".

This suggests that the black horse's famine is to drive up the price of grain but leave oil and wine supplies unaffected though out of reach of the ordinary worker.

One explanation for this is that grain crops would have been more naturally susceptible to famine years or locust plagues than olive trees and grapevines , which root more deeply.

The statement might also suggest a continuing abundance of luxuries for the wealthy while staples, such as bread, are scarce, though not totally depleted; [24] such selective scarcity may result from injustice and the deliberate production of luxury crops for the wealthy over grain, as would have happened during the time Revelation was written.

According to Edward Bishop Elliott's interpretation, through this third seal, the black horse is unleashed—aggravated distress and mourning.

The balance in the rider's hand is not associated with a man's weighing out bits of bread in scanty measure for his family's eating but in association with the buying and selling of corn and other grains.

The balance during the time of the apostle John's exile in Patmos was commonly a symbol of justice since it was used to weigh out the grains for a set price.

The balance of justice held in the hand of the rider of the black horse signified the aggravation of the other previous evil, the bloodstained red of the Roman aspect into the darker blackness of distress.

In history, the Roman Empire suffered as a result of excessive taxation of its citizens. During the reign of Emperor Caracalla , whose sentiments were very different from the Antonines being inattentive, or rather averse, to the welfare of the people, he found himself under the necessity of gratifying the greed and excessive lifestyle which he had excited in the Army.

During his reign, he crushed every part of the empire under the weight of his iron scepter.

Old as well as new taxes were at the same time levied in the provinces. In the course of this history, the land tax, the taxes for services and the heavy contributions of corn, wine, oil and meat were exacted from the provinces for the use of the court, army and capital.

This noxious weed not totally eradicated again sprang up with the most luxurious growth and going forward darkened the Roman world with its deadly shade.

In reality, the rise to power of the Emperor Maximin , whose cruelty was derived from a different source being raised as a barbarian from the district of Thrace, expanded the distress on the empire beyond the confines of the illustrious senators or bold adventurers who in the court or army exposed themselves to the whims of fortune.

This tyrant, stimulated by the insatiable desires of the soldiers, attacked the public property at length.

Every city of the empire was destined to purchase corn for the multitudes as well as supply expenses for the games. By the Emperor's authority, the whole mass of wealth was confiscated for use by the Imperial treasury —temples stripped of their most valuable offerings of gold, silver and statues which were melted down and coined into money.

When the Lamb broke the fourth seal, I heard the voice of the fourth living creature saying, "Come. Authority was given to them over a fourth of the earth, to kill with sword and with famine and with pestilence and by the wild beasts of the earth.

The fourth and final Horseman is named Death. Unlike the other three, he is not described carrying a weapon or other object, instead he is followed by Hades the resting place of the dead.

However, illustrations commonly depict him carrying a scythe like the Grim Reaper , sword, [30] or other implement.

Based on uses of the word in ancient Greek medical literature, several scholars suggest that the color reflects the sickly pallor of a corpse.

The verse beginning "they were given power over a fourth of the earth" is generally taken as referring to Death and Hades, [24] [38] although some commentators see it as applying to all four horsemen.

This fourth, pale horse, was the personification of Death with Hades following him jaws open receiving the victims slain by Death. Its commission was to kill upon the Roman Earth with all of the four judgements of God—with sword, famine, pestilence and wild beasts.

The deadly pale and livid appearance displays a hue symptomatic of approaching empire dissolution.

According to Edward Bishop Elliott, an era in Roman history commencing within about 15 years after the death of Severus Alexander in AD [39] strongly marks every point of this terrible emblem.

Edward Gibbon speaks of a period from the celebration of the great secular games by the Emperor Philip to the death of Gallienus in AD [40] as the 20 years of shame and misfortune, of confusion and calamity, as a time when the ruined empire approached the last and fatal moment of its dissolution.

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